RELATED British Period Drama for Christmas and the New Year Emelia Ricoletti returns from the grave (or morgue). But in this case, nothing is quite what it seems. Naturally, Holmes is intrigued and the famous duo set out to find the undead bride before she strikes again. The same, supposedly dead woman came back to life later that night and murdered her husband. A case is brought to their attention by a very shaken Lestrade who recounts the tale of Emelia Ricoletti, a lady who terrorized a London street before shooting herself. It then skips ahead to a more recent alternative past when the two men know each other well. It goes much the same as it did the first time we saw this. The episode begins with a flashback of Holmes and Watson meeting, this time in Victorian England. Watson, Mary, Lestrade and Holmes ponder the mystery. What I got, however, was something quite different. I would have been happy with that a simple fun adventure between seasons, a chance for the writers to play around with their characters. For the first forty-five minutes or so this was exactly what it appeared to be. Given the way it was advertised, this seemed likely, as is sometimes the case with Christmas viewing. I went into Sherlock: The Abominable Bride expecting a self-indulgent stand alone episode with no bearing on the overall plot of the series. Earlier in the trailer, that same man is seen holding his arms out in submission to the ghostly bride, therefore giving her power over him.Sherlock: The Abominable Bride Review Sherlock: The Abominable Bride Is the trailer suggesting that men who show their emotions are fragile and pitiful? There is one more observation to be made. The other character is a man shown sweating and shaking, appearing weak and pathetic. Sherlock is a likable character who fans adore. The man who is held up at gunpoint by the bride is later seen weeping in fear saying to someone “t was the bride.” He displays strong emotions which begs the question why would the trailer exhibit a man showing emotions if it was promoting the idea of hypermasculinity and stoicism? The answer lies in the differences between Sherlock and the other man. However, there is another element in the trailer that differs. Upon first glance, the trailer is adopting this form of masculinity. He displays little emotion in the trailer. Sherlock, the protagonist, is incredibly stoic. In the trailer for Sherlock “The abominable Bride”, the creators seem to be promoting the same idea of masculinity. Stoicism had long been an element of masculinity which television shows had been modeling and advertising less and less until the 90’s during which stoicism and general masculinity rose. She found that the number of sensitive emotions and the degree of emotional control exhibited by men in the shows had been increasing but a reversal occurred in the 90s (Scharrer, 100). She constructs an interesting observation about the decline of hypermasculinity through the decades but that in the 90’s the trend was reversed. According to Meldrum “, the depiction of the female characters in these neo-Victorian settings is one in which feminine agency and influence are marginalized…” (Meldrum, …show more content… In the essay by Erica Scharrer, “More Than “Just the Facts”?: Portrayals of Masculinity in Police and Detective Programs Over Time,” Scharrer looks at how men have been represented in police and detective shows since the 1950’s to the end of 1990’s. The genre and time period of the three shows are precisely the same of Sherlock “The Abominable Bride.” In her essay, she analyzes the role of women in the shows. In the essay, “Yesterday's Women: The Female Presence in Neo-Victorian Television Detective Programs” by Claire Meldrum she looks at three relatively new detective shows based in the victorian age.
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Show More Although the trailer does seem to entice viewers to watch the full episode of Sherlock “The Abominable Bride” by giving promises and asking questions there are also other techniques used to gain viewers attention.
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